Seasoned filmmakers and industry professionals share their knowledge
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Event Details
June 8, 2023
6:00 – 7:30 PM EDT
Goethe Institute, 100 University Ave, Toronto, ON M5J 1V6There are many entry ways into the film industry as an emerging filmmaker, whether you want to direct, write, produce or work below the line. This panel focuses on three particular Canadian institutions: Reelworld Institute, Toronto Arts Council and Director’s Guild of Canada. Representatives from each organization will outline the opportunities available to those who want to work in the industry and answer your questions about any of the programs they run.
Speakers:
Safia Abdigir
Safia Abdigir is a Toronto-based arts culture worker specifically interested in the facilitation of diverse perspectives in the Canadian film/visual arts industry. Currently, she’s the Industry Programming Manager at the Reelworld Screen Institute, where she manages the programming of the film festival and runs the year long Producer Programs.
Timaj Garad
Timaj Garad is an Ethiopian-Harari Toronto-based multidisciplinary storyteller (poet, actress, singer-songwriter), arts educator, and community organizer. She works at Toronto Arts Council, where I develop and manage the Black Arts program for Black artists and Black-led organizations. She creates music with genre-bending mix of spoken word poetry, hip-hop, and R&B, soul, afro-jazz, and dance. In 2017, she founded LUMINOUS Fest, Canada’s first Black Muslim arts festival, and later co-founded The Sisters’ Retreat, a retreat series hosting arts-based wellness retreats for Muslim Women.
Marwa Siam Abdou
Marwa Siam Abdou is a film director, a writer and freelance journalist. She is currently the National Outreach manager at the Directors Guild of Canada, a union representing members in the areas of direction, design, production and editing in the country. At the Guild, she oversees and manages equity-focused initiatives and campaigns that amplify the voices of racialized members. Her professional and creative work align, as she is also focused on portraying and telling the stories of people of colour, and particularly women, in her films.
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Event Details
June 7, 2023
6:00 – 8:00 PM EDT
VirtualRewriting is an essential element in a screenwriter’s toolkit. Understanding why screen stories work and don’t work helps a writer develop their ability to improve their own work. In this workshop, participants will delve into the intricacies of story editing and explore the fundamental principles that make screen stories truly resonate. We will touch on how to work with a story editor and when along the process of writing should you start story editing.
Facilitator:
Abdul Malik
Abdul Malik is a Canadian-Pakistani screenwriter based out of Toronto and Edmonton. He dropped out of film school to pursue the political, spending his twenties working in the labor movement, participating in worker struggles across Canada as an organizer and photojournalist. Abdul returned to the film industry, starting as the co-writer of the Telefilm-funded PEACE BY CHOCOLATE, which premiered at the Tribeca Film Festival. Recently, Abdul’s written on Season Three of CTV’s TRANSPLANT, the upcoming Telefilm-funded feature QUEEN TUT, and was Executive Story Editor and a Producer on the Super Channel digital series STREAMS FLOW FROM A RIVER. He is currently a Supervising Producer on a to-be-announced CBC drama, and has a bevy of projects in development with companies such as Shaftesbury, Husk Media, Lark Productions, and Sphere, alongside a first-look deal with Neshama Entertainment. Abdul is a member of the Writers Guild of Canada.
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Event Details
June 5, 2023
6:00 – 9:00 PM EDT
Goethe Institute, 100 University Ave, Toronto, ON M5J 1V6This workshop will demystify the process of marketing films in the digital age. Dive deep into the principles of positioning, social media marketing, and branding, and learn how to apply these principles to your film promotion strategy. With expert guidance, you’ll learn to position your film, leverage social media to engage and attract audiences, and build a compelling brand that reflects your film’s essence. Whether you’re in pre-production, production, or post-production, this workshop will provide the marketing tools you need to bring your film to market.
Facilitator:
Carolina Oliveira
Carolina Oliveira is Marketing Director at Entertainment One, where she oversees global marketing strategy for digital, physical, AVOD, and FAST. Originally from Brazil, she has been working in the film industry in Canada for the past 15 years. Carolina is passionate about developing innovative campaigns for independent films, mentoring future marketing superstars, and learning about plants.
Screening & Panel
March 1, 2023
6:00 PM – 9:00 PM EST
CFMDC, 1411 Dufferin Street, Toronto, ON M6H 4C7Join us for a screening of “Life on the CAPS”, followed by a talk with Nehal El-Hadi.
Screening:
Life on the CAPS
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Country: Morocco
Director: Meriem Bennani
Length: 76 mins
Synopsis: Life on the CAPS is a trilogy of short film by Moroccan artist Meriem Bennani. Set in a supernatural, dystopian future, Life on the CAPS (short for “capsule”) features a fictional island in the middle of the Atlantic Ocean. In the world of the CAPS, teleportation has replaced air travel, and displaced populations utilize this mode of transportation to cross oceans and borders.
Panel:
Incorporating multi-media and digital techniques into diasporic narratives
This post-screening discussion will engage viewers in a theoretical and practical discussion of incorporating multi-media and digital techniques into diasporic narratives.
Speaker:
Nehal El-Hadi, Writer, Researcher, Editor
Nehal El-Hadi investigates the relationships between the body (racialised, gendered), place (urban, virtual), and technology (internet, health).
She completed a Ph.D. in Planning at the University of Toronto, where her research examined the relationships between user-generated content and everyday public urban life.
As a scholar, her hybrid digital/material research methods are informed by her training and experience as a science and environmental journalist.
Nehal advocates for the responsible, accountable, and ethical treatment of user-generated content in the fields of journalism, planning, and healthcare.
Her writing has appeared in academic journals, general scholarship publications, literary magazines, and several anthologies and edited collections.
Nehal is the Science+Technology Editor at The Conversation Canada, an academic news site, and Editor-in-Chief of Studio Magazine, a biannual print publication dedicated to contemporary Canadian craft and design. She currently holds a residency at Toronto’s Theatre Centre, where she is developing a live arts event that explores surveillance, privacy, and consent.
Nehal sits on the Board of Directors of FiXT POINT Arts & Media and Provocation Ideas Festival. She is a member of the Digital Communities Advisory Panel at the Centre for Free Expression. She was previously a Visiting Scholar at the City Institute at York University.
Workshop
March 5, 2023
2:00 PM – 5:00 PM EST
LIFT, 1137 Dupont St, Toronto, ON M6H 2A3Workshop:
Projection Mapping Workshop
Join Ilze Briede [a.k.a. Kavi] for a Video Projection Mapping Workshop. Learn the basics of video projection mapping in this introductory workshop. With Resolume, you can manipulate and mix videos in real-time, create complex and dynamic compositions from scratch using built-in effects and, most importantly, how to map your video output on site-specific objects, also known as Video Projection Mapping
No previous experience with projection mapping is required.Facilitator:
Ilze Briede [a.k.a. Kavi]
Ilze Briede [a.k.a. Kavi] is a Latvian/Canadian artist and researcher working across multiple disciplines, including visual art, interactive installation and live performance. Her creative practice and academic research encompass working with live data sets and designing systems to turn data into visceral experiences. An example would be harnessing data from the forest about trees and the environment or the human body through bio-physiological sensing and translating them into immersive narratives. Kavi sees data as a living material that can express its essence and inner truth through creative, technological and artistic interventions. Sometimes, it looks too abstract for the human mind’s eye; however, she believes that the more we are exposed to weird and unusual, the more we stretch our cognitive abilities to embrace the world at large. She is currently pursuing a PhD degree in Computational Art at York University.
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November 5-6, 2022
Soulpepper Theatre Company, 50 Tank House Lane, Toronto, ON M5A 3C4Diary films, also known as self-documentary, essay or personal films, have a rich history within experimental cinema and specifically within diasporas. In this two-part workshop, we will discuss the art of creating diary films. In part one, with Kamal Riahi, we will examine the art of writing about the self, and in part two with Rolla Tahir, participants will look at and discuss visual examples and create a 3-minute diary film on Super8
This is an introductory workshop and is meant primarily for emerging filmmakers but is open to all. No prior knowledge of Super8 is required. This is an in-person workshop, which will be held at Soulpepper Theatre Company in Toronto.- Part One will be taught exclusively in Arabic. Comprehension of and communication in Arabic is a must.
- Part Two will be taught in English.
Facilitators:
Kamal Riahi
Kamal Riahi is a novelist, critic and founder of Beit al-Riwaya in Tunisia. He has been a regular contributor to Arab and international cultural media since the 1990s. He has led many workshops in creative, journalistic and critical writing in Tunisia and the Arab world.
Rolla Tahir
Rolla Tahir is a filmmaker and director of photography based in Toronto. She’s lensed short, narrative and experimental films, which screened across Canada and internationally, including the UK, Germany, and the United States. Obsessed with the durability, longevity and spontaneity of the analog film medium, Rolla has worked with Super 8, 16mm and 35mm to explore the analog process and its possibilities.
Through the generous support of Soulpepper Theatre Company, we are able to offer this workshop free of charge.
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May 28, 2022
10:00 am – 5:00 pm EDT
VirtualThe Accelerator pairs emerging Arab-Canadian filmmakers with emerging producers where they will attend an intensive day of workshops presented by industry professionals on: development, pitching and distribution.
Ten participants will be selected in total to form 5 teams – 5 directors, and 5 producers. Participants can either apply as a team comprised of a producer and a filmmaker, or they can apply individually and be partnered with someone. TAF will partner participants based on their applications detailing their experience, goals and content interests.
Speakers:
Sherien Barsoum
Christina Piovesan
Christina Piovesan is the founder and principal of First Generation Films, a film and tv production company based in Toronto. Past films include the Cannes Winner Amreeka directed by Cherien Dabis; The Whistleblower directed by Larysa Kondracki, Mouthpiece directed by Patricia Rozema, Paper Year, written and directed by Rebecca Addelman and American Woman directed by Semi Chellas which had its Canadian premiere as a Gala Presentation at TIFF 2019. Her collaboration with Elevation Productions, the production arm of Elevation Pictures, has Christina in post-production on The Exchange directed by Dan Mazer and French Exit directed by Azazel Jacobs. Most recently, Christina was producer on The Nest directed by Sean Durkin which had its premiere at the 2020 Sundance Film Festival
This program was made possible by the generous support of Ontario Creates
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The Toronto Arab Film and Trinity square Video present the 2nd TAF x TSV Filmmaker Commission. This year the commission will be awarded to two local (Toronto-based) filmmakers, to complete a short 5-10 minute film between June 2022 – January 2023. The commission will include in-kind credit from TSV that can be used for equipment rentals, workshops and/or post-production services.
This is ideally suited to filmmakers who are interested in short films (format: documentary or experimental). Applicants must be ready to start and finish a film between June 2022 to January 2023. This is ideal for emerging Arab identifying artists who have little to no experience in film. It is meant to introduce applicants to the film field in Toronto and guide them through making a short film
The final film will be screened at the 4th annual Toronto Arab Film Festival in 2023.Details:
- 1-year membership to Trinity Square Video
- $400 in-kind credit, which can be used for equipment rental, post-production facilities, or workshops
- Consultations with local filmmakers as needed
- 1-year free access to Masterclass
Requirements:
- Must identify as Arab-Canadian
- Must be residing in the GTA
- No prior filmmaking experience required, but applicants must demonstrate a strong interest in film and filmmaking
- Must make their completed film available to screen at the 2023 Toronto Arab Film Festival
Final Selection:
The successful recipient will be selected in mid-May and an announcement will be made during the festival in late May.Any further questions can be sent to: info@arabfilm.ca
Generously made possible by:
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Saturdays & Sundays, November 6 – December 9, 2021
Virtual + In-Person WorkshopsA month long filmmaking program for emerging Arab artists.
Registration fee: $125
Capacity: 12 participantsFacilitator:
Lobna Mahdi
Lobna Mahdi is the Outreach and Development Coordinator at TAF and the co-lead of the Nahda FilmLab. She holds an MA in Adult Education and Community Development and a Bachelor’s in Equity Studies and Psychology, both from the University of Toronto. During her graduate studies, she conducted research on the works of lower-class Egyptian women filmmakers of the early 20th century, demonstrating their pioneering role in the Egyptian and Arab arts and their influence on nationalist and feminist discourse of their time. With a vision of sparking an Arab-Canadian film renaissance/Nahda, Lobna is dedicated to creating learning and training opportunities for the next generation of Arab filmmakers as well as providing Arab youth with safe spaces to imagine a world beyond imperialism, capitalism, and orientalism.
Instructors:
Rolla Tahir, Filmmaker, TAF Co-founder & Artistic Director
Rolla Tahir is a filmmaker and director of photography based in Toronto. She’s lensed short, narrative and experimental films, which screened across Canada and internationally, including the UK, Germany, and the United States. Obsessed with the durability, longevity and spontaneity of the analog film medium, Rolla has worked with Super 8, 16mm and 35mm to explore the analog process and its possibilities.
Maha Al Saati, Filmmaker
Maha Al-Saati is an independent, experimental filmmaker interested in exploring women’s stories in the Arab World. She is TIFF Filmmaker Lab 2020 and TIFF Writers’ Studio 2021 Alum, and honorary recipient of the Share Her Journey Award and The Hollywood Foreign Press Association (HFPA) residency 2021. Her short films include Hair: The Story of Grass (18), an official selection of Fantastic Fest 2018, Slamdance 2019, and HollyShorts 2019; Cycle of Apples (19); and Fear: Audibly (17). Her feature project Hajj to Disney was selected for development by the Red Sea Lodge in partnership with TorinoFilmLab.
Nehal El-Hadi, Writer, Researcher, Editor
Nehal El-Hadi investigates the relationships between the body (racialised, gendered), place (urban, virtual), and technology (internet, health).
She completed a Ph.D. in Planning at the University of Toronto, where her research examined the relationships between user-generated content and everyday public urban life.
As a scholar, her hybrid digital/material research methods are informed by her training and experience as a science and environmental journalist.
Nehal advocates for the responsible, accountable, and ethical treatment of user-generated content in the fields of journalism, planning, and healthcare.
Her writing has appeared in academic journals, general scholarship publications, literary magazines, and several anthologies and edited collections.
Nehal is the Science+Technology Editor at The Conversation Canada, an academic news site, and Editor-in-Chief of Studio Magazine, a biannual print publication dedicated to contemporary Canadian craft and design. She currently holds a residency at Toronto’s Theatre Centre, where she is developing a live arts event that explores surveillance, privacy, and consent.
Nehal sits on the Board of Directors of FiXT POINT Arts & Media and Provocation Ideas Festival. She is a member of the Digital Communities Advisory Panel at the Centre for Free Expression. She was previously a Visiting Scholar at the City Institute at York University.
Ahmed Ismaiel Nour, Filmmaker
Ahmed is an award-winning filmmaker, film scholar, educator, and programmer based in Ontario. He started his career as assistant director where he gained valuable experience in the Egyptian main-stream film industry. His passion for innovative storytelling led him into independent filmmaking. For the past 18 years, he has made numerous shorts and features that played myriad international film festivals and picked several prestigious awards.
Despite being known for his 2013 hybrid picture Moug / Waves, Nour’s body of work encompasses many successful fiction, experimental, and documentary films. He has also produced and/or directed quite a few commercials and TV documentaries for renowned TV Channels.
Ahmed’s area of expertise comprises screenwriting, producing, video-editing, and directing. His work varies between experimental, documentary, and fiction films. However, his particular interest is in hybrid nonfiction filmmaking.
Nour is a short film programmer at Kingston Canadian Film Festival, and the founder and director of the 18 mm program, a yearlong film training program for youth, funded by KCFF and KFO in the city of Kingston.
Ahmed is a teaching assistant at Queen’s University’s film and media department. His current research engages with theories of myth, feminist film theory, and hybrid documentary cinema.
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Event Details
September 18-19, 2021
VirtualGoethe-Institut Toronto and the Liaison of Independent Filmmakers of Toronto (LIFT) present Documentary Filmmaking and Storytelling with Daniel Carsenty.
A free two-part digital workshop.
Co-presented with Toronto Arab Film (TAF) and the Toronto Palestine Film Festival (TPFF).- Part 1: Artist Talk Saturday, September 18, 2021 from 1:00pm – 3:00pm ET. Register here.
- Part 2: Facilitated Workshop Sunday, September 19, 2021 from 1:00pm – 4:00pm ET. Register here.
The central element of this workshop is the idea that a film—documentary or fiction—is at its core a character-driven story. The camera captures the relationships between people and visualizes the unspoken elements at play. Most films pivot around ‘dramatic’ scenes. Scenes in which characters express their wants and needs either vocally or through the subtext of body language. They run up against an obstacle and we as an audience ‘discover’ their true character in the way they deal with the obstacle on screen.
This two-part workshop, aimed at emerging and intermediate filmmakers, will create awareness for the basic elements of storytelling at play and show examples in which these elements have been successfully captured on screen. After a 90-minute introduction open to registered participants and general audiences, where Carsenty will be joined from Berlin by his collaborator filmmaker Mohammed Abugeth, the workshop participants will go out and independently film a dramatic scene with their own cameras, which has the power to stand alone as a short film or could be the centre of a longer documentary. On the second day, the workshop participants will screen their work and have a collaborative discussion, critique the work of their peers and grow an understanding of storytelling.Instructor:
Daniel Carsenty
Daniel Carsenty is a Berlin filmmaker currently working at the American Film Institute in Los Angeles, teaching at the Raindance Institute London and the International Academy for Film and Media in Dhaka, Bangladesh. danielcarsenty.com
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Event Details
May 30, 2021
1:00 – 4:00 PM EDT
VirtualThis workshop is suited for emerging producers, those who are trying to elevate their practice to produce low-budget, festival worthy short films and features. Learn everything you need – and what it takes – to produce low-budget, independent films.
Instructor:
Dina Emam
Named one of Variety’s 10 Producers to Watch in 2018, Dina Emam is an Egyptian-American film producer and educator working between New York and Cairo. Her first feature, Yomeddine, had its world premiere at the 2018 Cannes Film Festival in the Main Competition, and was Egypt’s submission for the 91st Academy Award for Best Foreign Language Film.
In addition to producing, she teaches filmmaking/producing workshops and masterclasses for aspiring filmmakers in the MENA region. Prior to becoming a film producer, Emam worked in television market research and production management at MTV Networks in New York City.
Emam holds a BS from New York University’s Stern School of Business in Marketing and International Business and an MFA in Creative Producing from Columbia University’s School of the Arts. She has previously served as an AmeriCorps volunteer.
Sponsored by: Trinity Square Video
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Event Details
May 29, 2021
1:00 – 4:00 PM EDT
VirtualA primer workshop for creatives interested in accessing the Canadian film industry and making their first film. The workshop will cover a basic introduction of filmmaking, including a look at production resources in Canada, development, the production process and post-production.
Instructor:
Lana Lovell
Lana Lovell came off a six-year hiatus with a surge of work. In 2017, she wrote the play “Elbow Room,” which went into pre-development in 2018 with Toronto’s Obsidian Theatre and was produced at Fringe 2019. Then she wrote the short play “The First 100 Years of Sophia Pooley” for Fringe 2020, during COVID-19 she began developing her play into a full-length production.
During Lana’s artistic hiatus, she worked as a freelance Associate Producer on George Stroumboulopoulos Tonight at the CBC.
Currently, she’s developing two documentaries including “Taking Space,” after a very difficult experience in 2010 as the director of “Resilience: Stories of Single Black Mothers,” a film that countered stereotypes of black mothers with complex and richly detailed portraits of real women. Before that, Lana was commissioned by Omni Television for the project. She directed the documentary “The Incomparable Jackie Richards” (2008), which explored the life and times of cabaret artist, theatre and film actor, performer Jackie Richardson, broadcasted on Bravo Television for 5 years. Lana’s first music content documentary, “Underground,” screened at Toronto’s Hot Docs Film Festival (2006) won praise for capturing the complex central character’s, Coco Brown, life and artistry. “Into the Heart of Africa” (1996), the first film Lana directed was about the protest during the contentious exhibit, of the same name, at the Royal Ontario Museum. Lana lives and works in Toronto, Canada.
Sponsored by: Trinity Square Video
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Postponed due to COVID-19
April 25, 2020
10:00 am EDT
Trinity Square Video, 401 Richmond Street, Toronto, ON M5V 3A8A primer workshop for creatives interested in accessing the Canadian film industry. The workshop will cover an introduction of filmmaking, production resources and a presentation by ACTRA.
Sponsored by: