FILMS//أفلام

  • Brides

    Brides

    Country: United Kingdom, Italy
    Director: Nadia Fall
    Length: 92 mins
    Synopsis: Antigone, is a 16-year-old girl who came to Canada from Algeria, as a child. While she excels at school, her two brothers have turned to crime. When one ends up in jail and is threatened with deportation, she comes up with a dangerous plan to have him released. “Antigone” is a modern adaptation of the Greek tragedy, in which a young woman with an indestructible love of family and justice takes on the authorities.

  • Brotherhood//اخوان

    Brotherhood//اخوان

    Country: Canada, Tunisia, Qatar, Sweden
    Director: Meryam Joobeur
    Length: 25 mins
    Synopsis: Mohamed is deeply shaken and suspicious when his estranged eldest son returns home to rural Tunisia with a mysterious young wife in tow. Every moment in Meryam Joobeur’s wrenching drama is infused with the emotional complexities of a family reunion, and the consequences of past wounds and misunderstanding.

  • Brown Bread & Apricots

    Brown Bread & Apricots

    Country: Jordan, Canada
    Director: Serene Husni
    Length: 8 mins
    Synopsis: In the absence of his parents, an unruly teenager is presented with a crucial test of character devised by his eldest sister. Instead of being punished for skipping school, he is entrusted with managing the family allowance for two weeks. To feed his siblings, he resorts to something he knew in his heart: in a Palestinian house, the pantry is never bare. Borrowing from classic elements of Palestinian storytelling—namely repetition, trickery, and an obsession with food—Brown Bread & Apricots is a story about a Palestinian family in exile.

  • Buzz

    Buzz

    Country: Sudan
    Director: Mohamed Fawi
    Length: 20 mins
    Synopsis: As her health deteriorates, a mother watches her son and daughter prepare for her inevitable passing and their new reality.

  • Cine-Ruins

    Cine-Ruins

    Country: Lebanon
    Director: Oscar Debs
    Length: 20 mins
    Synopsis: A family rumor about an Egypt-based star’s kinship to the Debs family in El-Mina, Tripoli, led to revisiting the history of a specific deserted cinema theatre there and the family of its manager.

  • Clench My Fists

    Clench My Fists

    Country: United States
    Director: Sarah Trad
    Length: 6 mins
    Synopsis: A found-footage collage video that explores the process of growing up in an Arab family deeply affected by death and grief. “Clench My Fists” is part of a series of work focusing on not only decolonizing Imperialist Western understandings of the Middle East but to also show the beauty of the artist’s heritage, outside the context of her family.

  • CloseCall

    CloseCall

    Country: Egypt, United States
    Director: Amr El-Bayoumi, Matt Tsymbal
    Length: 9 mins
    Synopsis: An Egyptian-American businessman arrives in New York City to salvage a transaction that has his career hanging in the balance. Will a detour to the 9/11 Memorial jeopardize the deal?

  • Compressed//مضغوط

    Compressed//مضغوط

    Country: Syria, France 
    Director: Ali Dawwa 
    Length: 8 mins
    Synopsis: Compressed highlights the work of Khaled Dawwa, a Syrian artist, who was in one of the Syrian regime’s prisons. He met many young people in the prison, their only guilt and the great crime was that they had dreamed of, and asked for a better future. Released from prison, Khaled, now lives in France. He considers himself a hope for all those who are still in prison and expresses their voice and suffering through his sculptures. For Khaled, love and revolution are inseparable.

  • Conditional Desire//تصعيد

    Conditional Desire//تصعيد

    Country: Tunisia
    Director: Houcem Slouli
    Length: 15 mins
    Synopsis: In a conformist society, Ahmed and Salma, marry for convenience to pursue their passions with secret lovers.

  • Conversations with an Actress

    Conversations with an Actress

    Country: Lebanon
    Director: Estephan Khattar
    Length: 13 mins
    Synopsis: Throughout two consecutive summers, a director was documenting his conversations with an actress about Beirut, love, failure, and immigration without her knowing that her private chats and voice notes have been transformed into a film.

  • Costa Brava, Lebanon

    Costa Brava, Lebanon

    Country: Lebanon
    Director: Mounia Akl
    Length: 106 mins
    Synopsis: Members of a family quit the polluted, rubbish-strewn city of Beirut for an idyllic mountain home. However, their dreams of a utopian existence are shattered by the construction of a landfill on the boundary of their land.

  • Crocodile Tears//تمساح

    Crocodile Tears//تمساح

    Country: Egypt, Saudi Arabia
    Director: Khaled Moeit
    Length: 16 mins
    Synopsis: On a road that is overshadowed by its roamers, a Taxi driver takes off with his cousin who wants to deliver money to another city.

  • Dajla: Cinema and Oblivion

    Dajla: Cinema and Oblivion

    Country: Spain
    Director: Arturo Dueñas
    Length: 15 mins
    Synopsis: The rocky desert in southwestern Algeria is the temporary home of about 150,000 refugees from Western Sahara. Goats grazing or the opening of a beauty salon are among the many scenes of everyday life of people who are eagerly awaiting the beginning of the film festival. The observational documentary captures the unwavering love of film in a place that the world has forgotten.

  • Don’t Forget The Water//لا تنسى التسمية

    Don’t Forget The Water//لا تنسى التسمية

    Country: Canada
    Director: Christina Hajjar
    Length: 5 mins
    Synopsis: A phone conversation sets the diasporic table as a disembodied figure prepares Qahwah Arabi / Arabic Coffee. Here, the contradictions inherent in Google Translate’s instant camera feature are made visible through glitched mistranslations. Using these flaws as a prompt, the communication between a mother and a daughter considers ambiguity as a source of embodied knowledge.

  • Don’t Get Too Comfortable

    Don’t Get Too Comfortable

    Country: Yemen, Qatar, United States, Netherlands
    Director: Shaima Al Tamimi
    Length: 9 mins
    Synopsis: Don’t Get Too Comfortable is a heartfelt introspective letter to my deceased grandfather. The letter questions the continuous pattern of movement amongst Yemenis in diaspora. The film fuses archival photographs, sourced footage, parallax animation, abstract videos to create an audio visual body of work that calls attention to the collective feeling of statelessness and sense of being felt by Yemeni (or non-Yemeni) migrants.

  • Dounia and the Princess of Aleppo

    Dounia and the Princess of Aleppo

    Country: Canada
    Director: Marya Zarif, André Kadi
    Length: 72 mins
    Synopsis: Forced to leave Syria because of the war, Dounia and her grandparents go in search of a new safe haven.

  • Edris//إدريس

    Edris//إدريس

    Country: Egypt
    Director: Amir El-Shenawy
    Length: 17 mins
    Synopsis: A 17-year-old Eritrean boy fled the war in his country to settle in Egypt, where he dreams to overcome the barriers and get accepted into the Egyptian society so he could get a chance to become a promising professional football player and help his family back home. The documentary tells a simple story that sheds light on the status of African migrants and refugees in Egypt today.

  • Elektra, My Love (Elektra, Ya Gharami)

    Elektra, My Love (Elektra, Ya Gharami)

    Country: Lebanon, Germany
    Director: Hisham Bizri
    Length: 89 mins
    Synopsis: A kammerspiel-film set in the moody, cavernous ruin of the Piccadilly Theater, Beirut’s extravagant art palace destroyed after the Lebanese Civil War.

  • Fear: Audibly//الخوف: صوتيا

    Fear: Audibly//الخوف: صوتيا

    Countries: Saudi Arabia
    Director: Mahaa El Saati
    Length: 22 mins
    Synopsis: Anxious that Judgment Day is on the horizon, Amal keenly awaits to hear the Trumpet of Doom; One day, unexpected guests invade her office space to confirm her fears.

  • Festina Lente

    Festina Lente

    Country: Canada
    Director: Baya Medhaffar
    Length: 21 mins
    Synopsis: Combining two contradictory terms in a single phrase is called an oxymoron. Circumventing the obvious, shaking up the logic, proceeding in gusts, claiming the impossible, such is the method that Baya Medhaffar has chosen and, adopting an ancient motto, she makes it clear right from the title: “Make haste slowly”. There are several explanations for this speed proclaimed yet slowed all at once. Her film is mostly made of edited, assembled images from other films; thus, all the emergencies from other works reach a climax here, but as they overlap, they also call for their patient and detailed examination. The dishevelled editing is combined to a superimposition technique that makes scales collide, that associate separated figures and backgrounds, and that ties together in the same frame seemingly unrelated dynamics and lines of forces.